WOOOD

FOSS Lamp Base Aluminum Black

New Price 149 € | save -30%
105 €
All prices include VAT (where levied), excl. shipping.

11% Rabatt mit Code FLASHSD25 nur heute!
Discontinued Model, like New
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Expected delivery: Tue. 18. 11 - Tue. 25. 11.
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The Foss lamp base from the Exclusive collection by Dutch interior brand WOOOD is a modern piece. The convex base gives the lamp a playful touch. The cord is stylishly hidden on the inside and emerges at the bottom of the lamp base. This way, the black cord is easily kept out of sight, which is equally stylish!

Aluminum is a very suitable metal for furniture development because it is lightweight, stable, and flexible. The aluminum in our collections is processed and finished in various ways, such as welding, stamping, powder coating, or wet painting. This gives the aluminum object a chic look or even a weathered, aged appearance. Aluminum is corrosion-resistant and therefore also perfectly suited for outdoor use.

- Slim lamp base
- Made of aluminum with an antique black finish
- Note: concerns only the lamp base

Dimensions
- Height: 129 cm
- Width: 18 cm
- Depth: 18 cm
- Holder: H 6 cm x Ø 5.5 cm
- Leg: H 98 cm x Ø 3 cm
- Base: H 22 x W 18 cm x D 18 cm
- Cord: L 150 cm with foot switch (black plastic)
- Specifications: E27, 250V, 60W
- LED: 7W
- Dimmable: no
- Weight: 4 kg

WOOOD ist eine niederländische Marke, die für robuste, moderne und attraktive Möbel steht – und das zu einem erschwinglichen Preis. Die meisten Möbel werden in der eigenen Fabrik in Nordholland gefertigt und zeichnen sich durch echtes Handwerk, hochwertige Materialien und ein einzigartiges, zeitloses Design aus. Die Kollektion umfasst Holz-, Polster- und Metallmöbel sowie Accessoires und bietet für jeden Raum passende, praktische Lösungen. WOOOD verbindet Funktionalität mit Stil und schafft so ein Zuhause, das langlebig und gemütlich ist.

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  • Manufacturer WOOOD
  • Material Aluminum
  • Color Black
  • Scope of Delivery 1 Product
  • Made in Netherlands
  • Socket E27
  • Article Number 377334-Z
  • Dimensions W 18cm x D 18cm x H 129cm
  • Sold by Manufacturer
  • Listed on 10.10.2025
  • Product Safety Show Manufacturer Details

  • Item Condition Discontinued Model
  • Signs of Wear Like New
  • Description of Condition

    The product is new and therefore shows no defects or signs of wear.

Shipping Methods and Delivery Times
  • Parcel Delivery Shipping is done by COCOLI via recognized carriers such as UPS and DPD. Only products that can be safely packaged in a box are shipped by parcel. Items are usually delivered within 2 weeks of the purchase date.
Type of Sale and Return

This item comes from a retailer's inventory. The statutory right of withdrawal applies.

Click here for SHIPPING and RETURNS. Please note our GTC.

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The Book of Colour Concepts "Farbenlehre" Goethe's theory of colours I. THEORETICAL PART Introduction to the Concept of Colour The subject of this work is the phenomenon of colour. It is not our intention to investigate the physical causes of colour. The phenomena of colour are therefore to be considered here in their entirety. THEORY OF COLOURS I. General Phenomena of Colour 1. The appearance of colours. In what circumstances do colours appear? Colours appear when light, under certain conditions, is affected by something else. In this case, two kinds of phenomena are to be distinguished: a) Light itself is the cause of colour. b) Light is the cause of colour, but something else is also at play. 2. The relationship between light and darkness. Light and darkness are not opposites. They are not to be understood as mutually exclusive. Rather, they are to be understood as intensifying each other. 3. Colour and the eye. The eye is the organ for colour. It is not possible to imagine colour without the eye. II. POLARITY The fundamental principle of all phenomena is polarity. This means that there are always two opposing forces at play. These forces are in a state of constant tension. This tension is what creates the phenomena. 1. Light and darkness as poles. Light and darkness are the primary poles. They are the basis of all other polarities. 2. Colour as a result of polarity. Colour arises from the interaction of light and darkness. The more intense the light, the more intense the colour. The more intense the darkness, the more intense the colour. 3. The spectrum. The spectrum is the visible manifestation of this polarity. It is a continuous gradation of colours. III. INTENSIFICATION The intensification of colours is a crucial aspect of colour perception. Colours are not static. They are dynamic. They change and evolve. 1. Through proximity. Colours intensify each other through proximity. A bright colour next to a dark colour will appear brighter. A dark colour next to a bright colour will appear darker. 2. Through contrast. Colours intensify each other through contrast. Complementary colours create the strongest contrast. 3. Through duration. Colours can intensify over time. This is particularly true of afterimages. IV. SYMPATHETIC AND ANTAGONISTIC EFFECTS Colours have psychological effects on us. These effects can be sympathetic or antagonistic. 1. Sympathetic effects. Certain colours evoke positive emotions. They are calming and harmonious. Examples: blue, green. 2. Antagonistic effects. Certain colours evoke negative emotions. They are jarring and unsettling. Examples: red, yellow. V. THE EMOTIONAL EFFECT OF COLOURS Colours have a profound impact on our emotional state. They can uplift or depress us. They can excite or calm us. 1. The calming effect of blue. Blue is associated with peace and tranquility. It is a cool colour. 2. The exciting effect of red. Red is associated with passion and energy. It is a warm colour. 3. The cheerful effect of yellow. Yellow is associated with happiness and optimism. It is a warm colour. PRACTICAL PART I. APPLICATION OF COLOUR THEORY The principles of colour theory can be applied in many fields. 1. Art and design. Artists and designers use colour to create mood and evoke emotion. 2. Architecture. Colour can be used to influence the perception of space. 3. Psychology. Colour therapy is a field that uses colour to treat psychological conditions. II. THE USE OF COLOUR IN PAINTING Colour is a fundamental element of painting. 1. Mixing colours. Understanding colour mixing is essential for painters. 2. Creating light and shadow. Colour can be used to create the illusion of light and shadow. 3. Evoking emotion. Painters use colour to evoke a wide range of emotions in their viewers. III. THE USE OF COLOUR IN ARCHITECTURE Colour plays a significant role in the design of buildings. 1. Creating atmosphere. Colour can be used to create a specific atmosphere or mood within a space. 2. Influencing perception. Colour can alter our perception of the size and shape of a room. 3. Symbolism. Colours often carry symbolic meanings in architecture. IV. THE USE OF COLOUR IN PSYCHOLOGY Colour therapy is a recognized field of practice. 1. Treating depression. Certain colours are used to alleviate symptoms of depression. 2. Reducing anxiety. Colours can be used to
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